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Woodblock Printing - it's all in the Registration! E-mail

Woodblock print by Rosanna Jurisevic - Sleepy HarryI’ve just spent a very pleasant four days learning about Japanese Woodblock Printing at Warringah Printmakers Studio In Manly Vale, NSW with Rosanna Jurisevic.

Warringah Printmakers Studio is a community based, non-profit organisation offering classes, workshops, studio access, regular exhibitions & a variety of exciting & innovative projects for artists with Studio membership.

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A Brush with Art E-mail
Halls Gap

Grampians workshop an interstate success

by Caroline Tang,
Wimmera Mail Times
26 September 2011

An inaugural Grampians Brushes workshop series was so popular that artists have booked their accommodation for next year.

Founder and co-ordinator Marion Matthews, a Wimmera artist said Grampians Brushes would be at Halls Gap again in 2012. Matthews said the scheduled dates for next year were September 8 – 13.

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Bronze Sculpture - Lost Wax Part 2 E-mail

Sculpture classes with Colin Fenn, a brief synopsis…

Sculptures after chasing and finishing

  • Beginning with creating the sculpture by working directly in microcrystalline wax, (Victory Brown), a relatively soft carving/casting wax, the sculpture or model is created by removing and or adding wax to or from a basic form.
  • This creative process can result in a simple ‘Brancusiesque’ style, illustrating clean abstract, sometimes rather geometrical forms or a more complex realistic animal, vegetable or human shape, which may include compound and sometimes intricate undercuts.
  • The sculpture is refined in aspects of surface texture and detail and is for all intents and purposes ready to be taken to the foundry to be cast.
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Shutter Bugging at Bunginderry Artists' Camp E-mail

Crisp clean winter's morn - Day 1 Photography camp - photo by Annabel TullyBunginderry Artists Camp held a Photography workshop with Danielle Lancaster during May 2011.

Danielle offered a range of theory and practical tutorials during this four day retreat which was designed to encompass a wide range of photographic skills and to inspire you to take your creative image making to new levels while exploring the unique Channel Country.

Day 1

With frost on the lawn, Day 1 greets us with much anticipation of the day ahead. We have gone back to basics… for some it’s revision and others (like me) it’s completely new and overwhelming. Words like aperture, white balance, fast, slow, freeze and blurr…just to name a few… Danielle Lancaster eases the beginners into the new exciting world of photography and challenges the more experienced to push a little further.

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Bronze Casting using the Lost Wax Method with Colin Fenn – Part One E-mail

A Dwarf Bouncing Dragon by Colin PennColin Fenn – renowned sculptor living in the Central West of NSW was guest tutor visiting Merilyn’s classes at her studio and also at Pigments and Palettes in Bathurst.

Colin loves creating interesting creatures and has a cheeky sense of humour.

Have a look at what he has to say about his creatures….all created using the lost wax method.

'My little creatures, (all happy & none of them bad, but full of mischief), are simply objects of sensation and impression. The power of the imagination, mixed with 'modern' and in some cases quite inexpensive materials allow me to 'create' in ceramics, carved stone and metals such as bronze, stainless steel, cast iron and also welded metals (braze welding, Gas metal Arc, Manual metal Arc & TIG)'

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S.H. Ervin Gallery Workshop – Wendy Sharpe E-mail

Wendy Sharpe demonstrates sketching with chalkby Cindy Goode Milman

Three art friends made our way to the city for a Saturday Wendy Sharpe Master class organised by Simon at S. H. Ervin Gallery,  part of the National Trust of Australia complex, held in conjunction with the survey exhibition of Wendy Sharpe: The Imagined Life (26 February – 10 April).

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Fired Arts Retreat E-mail

by Dr Jan Gardner PhD

I took the coast road and drove from Sydney to the beautiful rainforest property in Newee Creek (near Nambucca Heads). The accommodation was spacious and delightful. The food was fabulous. The hosts were friendly, caring and informative. The pottery was delightful.

Fired Arts Retreat

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Life Drawing Intensive Workshop with Paul Miller E-mail

by Eleanor Brown

Drawing by Eleanor BrownFourteen people showed up to the idyllic park-land setting of the Ku-Ring-Gai Art Centre at Roseville, NSW for a week of life drawing. Paul Miller promised us hard work – and he wasn’t kidding!

Each day was different, we worked through a large range of media with different models and a variety of poses, sitting, standing, moving, lying down. Paul never let the pace slow down for a minute. There was a mixture of elementary exercises and more challenging ones so we could explore new methods of expression and to help each of us develop our own personal approach.

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Arcadia Bed and Breakfast Art Retreat E-mail

by Cindy Goode Milman

Artwork by Jo BerryFive art friends disembarked Sydney for a trip to Cambewarra (near Berry, NSW) to experience an art retreat with artist Roxanne Taylor. The bed and breakfast was divine, not at all what we expected, a private cottage for two with three in the main house.

Our art class started with a morning Saturday lesson on using mediums – covering 300gsm water colour sheets with impasto (very thick and patterned), gel medium and sand (artist grade) as well as acid free tissue paper spilling inks and acrylic down the front, creating patterns of colour.

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Jo Bertini - ArtWorkshops Australia E-mail

Artwork by Jo Bertini

Immerse yourself in the adventure of painting in the stunning surrounds of Byron Bay or get your hands dirty working with clay in an 19th Century carriage house in Surry Hills. Finish the day with a glass of wine and light supper contemplating your work with fellow artists. ArtWorkshops Australia is renowned for providing exceptional workshops with acclaimed and accomplished Australian Artists.

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Exploring the Abstract with Yvonne Langshaw E-mail

Artwork by Yvonne LangshawIn May this year, I was very excited to join Yvonne Langshaw in a two day workshop at Ku-ring-gai Art Centre in Roseville, NSW. The studio was light and airy with plenty of room for everyone to work comfortably. Tables and easels were all set up and ready for the workshop participants.

Abstract art is sometimes thought of as quite childish, and while parents in art galleries are sometimes heard to say 'my child could do that!'. Painting in an abstract form is surprisingly difficult. It requires a real understanding of colour, tone and line to be able to create the beautiful abstract art works that Yvonne Langshaw consistently produces.

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USQ McGregor Winter School 2010 E-mail

by Vivienne Linnett

Vivienne and Ron

Recently I attended another highly enjoyable and productive McGregor Winter School at USQ in Toowoomba. This was my second Winter School, this time choosing to stay off campus, whereas last year, as a first timer, I lived in.

Having become enthusiastic about painting early last year, I set out to find some tuition to fast track my impatience to improve faster than I was progressing alone. I came across McGregor School's advertisement, which seemed like the perfect arts retreat. A whole week of painting and socialising with fellow artists and no cooking in sight!

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STURT Winter School Review 2010 E-mail

by Cindy Tonkin

STURT workshop participant

I have attended more than eight summer schools and three winter schools at Sturt Craft College in Mittagong. They are always an intense, well-managed experience, where you can get obsessed by a new skill or even perfect an old one, in a friendly environment.

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David Lake Landscape Workshop – Bathurst Regional Art Gallery E-mail

 David Lake - Last Light - White Cliffs 2009, oil on linen on Masonite, 41 x 51cmI was impressed with David Lake’s exhibition David Lake: Feet of Clay, at the Bathurst Regional Gallery - March to May. His interesting works full of light and extended horizons capture the big skies, mood and atmosphere of the Australian landscape. He has been inspired by the scorched earth and clear horizon lines of far west NSW, utilising this subject matter and transmuting it into works of art.

When I realised that he was running a workshop in Bathurst for one day, I joined the waiting list. Luckily I got in when someone cancelled out.

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Mitchell School of Arts - Winter School 2009 E-mail

Review by Barbara Tate-Asgill

Bathurst NSW is well known for its car racing but sadly not as well known for another event it hAlvaro Castagnetosts twice yearly on the campus of Sturt University, the Mitchell School of Arts Summer and Winter Artists Workshops.

What a truly delightful way to spend a week that is not only informative and a great learning curve but also a chance to meet really nice like minded people and have some fun as well.

It is especially good for those who love to paint and for one reason or another can never devote a whole week at a stretch without interruption.

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Merilyn Rice – Portrait Workshop E-mail

By Teresa Spedone

Final Portrait by MerilynMedium: oils or acrylics

I have always wanted to learn to paint portraits, and as I have been setting up my new studio I came across photos from the past of a couple of portraits I had done of an old boyfriend. I showed them to Merilyn, my art tutor and she said that she would be running a portrait workshop for two days over two week period in a couple of weeks time. Would you like to attend?  I thought to myself...Archibald here I come!

But on the day when I turned up at Merilyn’s wonderful studio in the Evan’s Plains area of Bathurst I was terrified!  I thought “What am I doing here? I can’t paint portraits!”

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